NASA-UAP-D008, Apollo 12 Medical Debriefing - Tape 12, 1969

DVIDS description: During a medical debriefing of the crew of the Apollo 12 mission, Commander Charles “Pete” Conrad, Command Module Pilot Richard “Dick” F. Gordon, and Lunar Module Pilot Alan L. Bean describe their observations of instances of light flashes or “streaks of lights.” The astronauts each reported that these experiences occurred in the dark as they tried to sleep. The NASA medical team considered whether similar phenomena reported by Apollo 11 Lunar Module Pilot Buzz Aldrin had been attributable to exposure of the retina by cosmic rays. NASA later determined that the phenomena reported by the Apollo 12 flight crew were internal to the astronauts’ vision rather than external light sources. DVIDS title: DVIDS - Video - NASA-UAP-D008, Apollo 12 Medical Debriefing - Tape 12, 1969 Listen, we read this paragraph in here about these quotes coronal discharges that you guys were seeing and that completely stops us. Tell us how this came about and who talked to you about and what you saw. We recorded it on, or somebody recorded it on the earlier place that some guy like us will let her to record somewhere and he gives it down to me and he keeps the best to think for the VHGET radio audience which could be discharges from some places to think. And the other one where, I thought it was ideal place we stand here for is seeing a plan to just go on a space track and find what their eyes are both. But now, you know, what is the drive? These are the same noticed when they were away, the night the space trip was started. It's what they were in the space trip. But whoever this guy was to know, as apparently knows phenomena, you can get this drive and front their eyes from gamma rays or something. So the data was, you think, would we hold our eyes and face the moon? You know, what we were working is because it would be more, you get less this drive and it's facing the moon and away from it. You know, that's the thing we were doing the moon or anywhere, it's very tight after hitting the moon and it gets, keep your eyes closed and your waist down there and it's starting to think about it. But it happens because you're trying to add, you can spin down and it's more high. It's not as this drive you can see it's both wide and really feeling more high. Or the other high. And we can see what point it is. We have two kinds. I guess the part is, well, either straight, the eyeball, percordicular or it's very parallel. And we can either a flash like that or we can get a streak. And I knew it was eye-nosed, maybe got a flash or a streak. And I, for some reason, got a more with my eyes and my right eye, what I just tell which eye it was and I was trying to trick it. I'm trying to tell if the reason you did it is because it's where these flaps are always out of that space right. And I can't swim for the closer night. I can't hold it like one of my eyes. Yeah. some reason, got a more with my eyes and my right eye, what I just tell which eye it was and I was trying to trick it. I'm trying to tell if the reason you did it is because it's where these flaps are always out of that space right. And I can't swim for the closer night. I can't hold it like one of my eyes. Yeah. I can't put my name back just a while. I'll split down a minute. I don't think I can get a picture of it. They should have protected you, Dick. They should have picked them all up. I think it's probably an error, but it's because we were absolutely in the specifically experiment with this, like the interlocutor. It looks like that. There's two pages in the right point. A little harder. We did biology, we were seeing every time we saw all the darks. There's a few other things that I can tell. I'm only looking exactly at a super-ammon on it, if you might, 11. But the yield doctor got this. I remember their conversation about it. They thought of something, you know, penetrating the spacecraft. It's like, what can you do? What can you describe is the exact phenomena of all three of us. You can see a light. You can see a flag out there, or it's sometimes going to be a street. I saw them in both of us. Either I, I can't remember if there was one of them or the other. But I agree with you. The phenomenon is you're not seeing them in both of us. It's not something external. But you have something in common. Inside of the dark. You're here. Sometimes, I see them in one. Apparently they know that. They're just completely in common. Well, we've been looking for cosmic rays, you know, cosmic rays strikes. And heavy particles, heavy nuclei that go through. You know, we start at a clear back in mercury, taking photographs of the redness, see if you could see his tricks across the redness stuff. We never could find any in there. And so we stopped that up early and, well, by the end of the... You know, I, what the fastest fueler on your body, and if it's doing anything, You know, we start at a clear back in mercury, taking photographs of the redness, see if you could see his tricks across the redness stuff. We never could find any in there. And so we stopped that up early and, well, by the end of the... You know, I, what the fastest fueler on your body, and if it's doing anything, you're never going to see it, what's I needed to buy back earlier. I'm going to see it as a photograph of the redness of the purple. Well, probably what it's doing anyway is probably hitting just a single cell. And, yeah, that's all it has to do, particularly make this flash. You know, you hit a single cell. I saw one night, looking at the M.D.C. a handrail, something above. And one right along, I don't know where it went. Here, you know, right, very long on my handrail for a step. That's this. I just have to be looking at that. And I'm just going to almost hit him on the wheel. That's where I would. You just line there. And he's holding your eyes. What if he wants to be able to be able to line up? And he doesn't know how to see it. He didn't believe it, it was. That's what we thought of the first night. And I know that that's a thing. I just didn't even spread my word for that. You know, when we heard that I had to see these things, and they got planted in the feet. And they did the middle of the making. He woke up at 9. He said, well, I think I'll see you. I think you can close your eyes on those things. You can come up on one minute. Yeah. Let me ask you one more question about heart. Oh, here. Where is the land of distribution of these cars? Where is the Nissenbees? It's fairly hard. Where are these things random? Or did they all seem to be in one direction, like where they always horizontal, or where they had random. They could be at any kind of angle. So the street slides on for minus 1, minus 1, minus 1. I said I'd say that's a 15-line. se cars? Where is the Nissenbees? It's fairly hard. Where are these things random? Or did they all seem to be in one direction, like where they always horizontal, or where they had random. They could be at any kind of angle. So the street slides on for minus 1, minus 1, minus 1. I said I'd say that's a 15-line. It seemed to be an impression that they were always roughly in the same place in mind where the heart is on, the heart is on, the street is always. If I do where I was looking, it always seemed like a hard, and all the street was a little bit above the center. And it always seemed to be a way to the right or left. And I would like to see the right distance for more important center and would be dimmed up. It would just like a pinpoint of light when it closed again. Like some I was fleshing a light at you. That's right. That was not too big of a light at you. It was built your own very small line. It does. That's how they get the right light. Is that about the same for both of you? Is that the same reaction you had, Dick, and how? The way he described it? What's that? You know, my brain was about 30 degrees your heart is on, what they were talking about. I didn't know it was going from the light or left. That's pretty interesting. But they seemed to appear about the same place. I know. The one's up in the lower dolomons that I saw were generally above the light. Same way. It was generally high. I don't know if I can't include it, I can't remember. I just don't remember anything. I'm being down on the lower part of the convict. The light is dangerous. I think that Dick's telling you about the event. The desire is open. And other things that he said are desire on the light on the incident panel. Life is another of the most ones down there in the sleep of the day of a pitch black down there in the hole. And what we're making here is the light. We're open and close. And I can lay there for, as you can find that way, if they were a half an hour. ings that he said are desire on the light on the incident panel. Life is another of the most ones down there in the sleep of the day of a pitch black down there in the hole. And what we're making here is the light. We're open and close. And I can lay there for, as you can find that way, if they were a half an hour. And either open or close them and wait. And you're not the after a while. And then I sit there for a while and tell you that there's a little left by or the right. I think you want to sort it out. And when you use the finger out, we die with it. Now you know what you do when you close the sleeping hole. Yeah. Why? There was a comment that...